Cast seated in dhyanasana on a double lotus base, the right hand lowered in varadamudra, the left hand raised to his chest, wearing an elaborate beaded necklace, the face with downcast eyes and meditative expression framed by a five-pointed crown securing the hair swept in a top knot, with his bare torso adorned with inlaid beaded jewelry. Avalokiteshvara has long been regarded as the patron deity of Tibet, and has been revered in China from the late Ming dynasty through the Qing. Qing court patronage of Buddhism commenced under the Kangxi Emperor and reached epic proportions under his grandson, the Qianlong Emperor. The Buddhist centers of Beijing, Rehol, and Dolonnor produced a vast number of images to keep up with the demand of temples both inside and outside of the capital. The present work exhibits many characteristics common to the Buddhist workshops of the Qianlong period, such as the languid and slightly effeminate treatment of the face and body, and the tightly waisted double-lotus base with broad petals. This sculpture has a pacifying beauty and presence, a very fine example amongst the great number of similar Buddhist bronzes proliferated during the Qianlong period. This gilt bronze excels in its elegant modeling with finely cast hands and fingers.
A repoussé figure of Tsongkhapa Mongolia 18th century Gilt bronze
Tsongkhapa, also known as Je Rinpoche, was born in the Amdo region of Tibet in 1357. He was a highly respected Buddhist scholar and is credited as being the founder of the Gelug Buddhist sect, known as the “Yellow Hat” sect, one of the most powerful and widespread in the Buddhist religion. Revered as an incarnation of the Bodhisattva Manjushri, he was reported to have seen and conversed with the deity from a young age. The current bronze example can be seen holding the stems of lotus flowers supporting a sword and book, which are the prime attributes of Bodhisattva Manjushri. Compare this powerful piece with a related gilt-bronze figure of Tsongkhapa, 18th century, illustrated in B.Lipton and N.D.Ragnubs,Treasures of Tibetan Art: Collections of the Jacques Marchais Museum of Tibetan Art, p.70, no.22.
By submitting this form, you are consenting to receive marketing emails from Kapoor Galleries. You can revoke your consent to receive emails at any time by using the unsubscribe link, found at the bottom of every email.
Kapoor Galleries is committed to making its website accessible to all people, including individuals with disabilities. We are in the process of making sure our website, www.kapoorgalleries.com, complies with best practices and standards as defined by Section 508 of the U.S. Rehabilitation Act and Level AA of the World Wide Web Consortium (W3C) Web Content Accessibility Guidelines 2.0. These guidelines explain how to make web content more accessible for people with disabilities. Conformance with these guidelines will help make the web more user-friendly for all people. If you would like additional assistance or have accessibility concerns, please contact us at 212 888 2257 or email@example.com
Asia Week NY 2020
2020 EXHIBITIONS & OPEN HOUSE
MARCH 12-21 God/Goddess
Open House Weekend: March 14-15 Saturday and Sunday, 11am-5pm, By Appointment Only
Hours Mon-Sat, 10am-6pm (By Appointment Only)
Opening Party Thursday, March 12, 6-8pm, By Appointment Only
GALLERY TALK by Laura Weinstein: A Brief Introduction to Indian and Himalayan Art Tuesday, March 17, 10:30am Canceled.