Women in a Hunting Lodge India, Kotah c. 19th century Opaque watercolor heightened with gold on paper 17 1/4 x 22 in. (44.2 x 55.9 cm.)
Provenance: Christie’s London, 3 April 2009, Lot 353
Six women stand on the inside of a Shikaragah (hunting tower), surrounded by lush, vibrant vegetation and an array of different animals. One woman holds a gun on the ground floor, aiming at the ox that has apparently just been overtaken by a pair of lions, two embracing ladies on the terrace viewing the attack in suspense. Hunting scenes were hugely venerated in Kotah painting through commissions from the Maharaos, a subject of great royal interest as the hunt was perceived to be a sport for nobility. Kotah was so well known for its forests that were bursting with lions and tigers that a hunt was frequently initiated to entertain visiting dignitaries like Mughal princes or British officers. These sprawling scenes of dense landscape that camouflage the creatures dotting the image were employed by court painter Sheikh Taju, who worked extensively throughout the 18th century under royal patronage. The imagery was further developed after Sheikh Taju’s time with the importation of Mewari artists to serve the elite, incorporating techniques from their home into the distinct Kotah style that represented the 19th century. The present example, executed in the 19th century, embodies this evolved style through illustration of numerous varieties of vegetation and finely crafted birds that appear across the composition. Typically, hunting scenes would be depicted with one or more men, who were occasionally accompanied by a maiden. While hunting scenes were popular with Kotah rulers, it is unusual to see such an image with only female hunters, devoid of their male counterpart. Compare this piece to an earlier painting in the National Museum, New Delhi, titled Ladies Hunting Tigers (accession no. 47.110/1919) that depicts a woman with her rifle trained on a Tiger from a hunting tower, a female musician and male hunter positioned behind her. In this work, the woman is shown at the forefront as huntress, and while the man is not engaging his weapon and stands out of her way, there is still a male presence overseeing the two women. The current painting depicts only women, making it an important representation of female status and capability that existed at the time. For further reading on Kotah school painting, see Stuart Cary Welch, Gods, Kings, and Tigers: The Art of Kotah, 1997.
By submitting this form, you are consenting to receive marketing emails from Kapoor Galleries. You can revoke your consent to receive emails at any time by using the unsubscribe link, found at the bottom of every email.
Kapoor Galleries is committed to making its website accessible to all people, including individuals with disabilities. We are in the process of making sure our website, www.kapoorgalleries.com, complies with best practices and standards as defined by Section 508 of the U.S. Rehabilitation Act and Level AA of the World Wide Web Consortium (W3C) Web Content Accessibility Guidelines 2.0. These guidelines explain how to make web content more accessible for people with disabilities. Conformance with these guidelines will help make the web more user-friendly for all people. If you would like additional assistance or have accessibility concerns, please contact us at 212 888 2257 or email@example.com
Asia Week NY 2020
2020 EXHIBITIONS & OPEN HOUSE
MARCH 12-21 God/Goddess
Open House Weekend: March 14-15 Saturday and Sunday, 11am-5pm, By Appointment Only
Hours Mon-Sat, 10am-6pm (By Appointment Only)
Opening Party Thursday, March 12, 6-8pm, By Appointment Only
GALLERY TALK by Laura Weinstein: A Brief Introduction to Indian and Himalayan Art Tuesday, March 17, 10:30am Canceled.